This is our green screen set-up for one of the projects we just shot. We were shooting some different pieces of fabric swooshing across the camera to use as transitions. It turned out great and we’re really excited about how much these transitions will add to the final product.
Maybe that title is true.
Regardless, we’re all in the same house again, working on all sorts of neat stuff.
We began this last Tuesday by having a Skype call with Rick Holets, the composer for A House for Marge. He was impressive and really made us wonder how we ever scored our own films before. Yesterday, we got a work-in-progress score from him and synced it up. Wow! Some of us were humming it all the rest of the day. [Read more →]
